Things I Didn't Throw Out - Marcin Wicha
I was complaining about some dull educational programme on Polskie Radio, and my mother said: ‘Not everything in life can be turned into a funny story.’ I knew it was true. But still I tried.
An intimate, unconventional and very funny memoir about everything we leave behind.
Lamps, penknives, paperbacks, mechanical pencils, inflatable headrests. Marcin Wicha’s mother Joanna was a collector of everyday objects. When she dies and leaves her apartment intact, Wicha is left to sort through her things. Through them, he begins to construct an image of Joanna as a Jewish woman, a mother, and a citizen. As Poland emerged from the Second World War into the material meanness of the Communist regime, shortages of every kind shaped its people in deep and profound ways. What they chose to buy, keep – and, arguably, hoard – tells the story of contemporary Poland.
Joanna’s Jewishness, her devotion to work, her formidable temperament, her weakness for consumer goods, all accumulate into an unforgettable portrait of a woman and, ultimately, her country.
I was complaining about some dull educational programme on Polskie Radio, and my mother said: ‘Not everything in life can be turned into a funny story.’ I knew it was true. But still I tried.
An intimate, unconventional and very funny memoir about everything we leave behind.
Lamps, penknives, paperbacks, mechanical pencils, inflatable headrests. Marcin Wicha’s mother Joanna was a collector of everyday objects. When she dies and leaves her apartment intact, Wicha is left to sort through her things. Through them, he begins to construct an image of Joanna as a Jewish woman, a mother, and a citizen. As Poland emerged from the Second World War into the material meanness of the Communist regime, shortages of every kind shaped its people in deep and profound ways. What they chose to buy, keep – and, arguably, hoard – tells the story of contemporary Poland.
Joanna’s Jewishness, her devotion to work, her formidable temperament, her weakness for consumer goods, all accumulate into an unforgettable portrait of a woman and, ultimately, her country.
I was complaining about some dull educational programme on Polskie Radio, and my mother said: ‘Not everything in life can be turned into a funny story.’ I knew it was true. But still I tried.
An intimate, unconventional and very funny memoir about everything we leave behind.
Lamps, penknives, paperbacks, mechanical pencils, inflatable headrests. Marcin Wicha’s mother Joanna was a collector of everyday objects. When she dies and leaves her apartment intact, Wicha is left to sort through her things. Through them, he begins to construct an image of Joanna as a Jewish woman, a mother, and a citizen. As Poland emerged from the Second World War into the material meanness of the Communist regime, shortages of every kind shaped its people in deep and profound ways. What they chose to buy, keep – and, arguably, hoard – tells the story of contemporary Poland.
Joanna’s Jewishness, her devotion to work, her formidable temperament, her weakness for consumer goods, all accumulate into an unforgettable portrait of a woman and, ultimately, her country.
